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‘figural contradictions’

2025


This series of garment sketches takes form of the wearer itself, the contradictions between their self-identity and the public perception. 


The housewife, often reduced to
vanity, is proven resilient in a gown
inspired by the Dior ‘Junon’ and 
a butcher’s apron reworked in layered 
raw-edge cowhide and cinched with 
a warrior’s corset constructed of
stacked belts.

The hunter mini dress, drawn from the
silhouette of Midwestern erotic 
dancewear, is lightly constructed of
tulle coins, mimicking maple leaves. 
A crown of deer antlers hug from the 
back, echoeing gun culture. Both pieces,
light and feminine and harshly structural 
embody both female empowerment and 
the male gaze. 

Finally, a cape of sanctified lined and 
embelleished with leather floggers,
shiny black vinyl, and hanging chains
speaks on the unposken eroticism
hidden beneath ritual.
 







‘figural contradictions’

2025

This series of garment
sketches takes form of the 
wearer itself, the 
contradictions between 
their self-identity and the 
public perception. 



The housewife, often reduced to 
vanity, is proven resilient in a gown
inspired by the Dior ‘Junon’ and 
a butcher’s apron reworked in layered
raw-edge cowhide and cinched with 
a warrior’s corset constructed of
stacked belts.

The hunter mini dress, drawn from the 
silhouette of Midwestern erotic 
dancewear, is lightly constructed of
tulle coins, mimicking maple leaves. 
A crown of deer antlers hug from the 
back, echoeing gun culture. Both pieces,
light and feminine and harshly structural 
embody both female empowerment and
the male gaze. 

Finally, a cape of sanctified lined and 
embelleished with leather floggers, 
shiny black vinyl, and hanging chains
speaks on the unposken eroticism 
hidden beneath ritual.