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‘figural contradictions’

2025

This series of garment
sketches takes form of the 
wearer itself, the 
contradictions between 
their self-identity and the 
public perception. 



The housewife, often reduced to 
vanity, is proven resilient in a gown
inspired by the Dior ‘Junon’ and 
a butcher’s apron reworked in layered
raw-edge cowhide and cinched with 
a warrior’s corset constructed of
stacked belts.

The hunter mini dress, drawn from the 
silhouette of Midwestern erotic 
dancewear, is lightly constructed of
tulle coins, mimicking maple leaves. 
A crown of deer antlers hug from the 
back, echoeing gun culture. Both pieces,
light and feminine and harshly structural 
embody both female empowerment and
the male gaze. 

Finally, a cape of sanctified lined and 
embelleished with leather floggers, 
shiny black vinyl, and hanging chains
speaks on the unposken eroticism 
hidden beneath ritual.